Mostrando postagens com marcador Música. Mostrar todas as postagens
Mostrando postagens com marcador Música. Mostrar todas as postagens
20250511
KRAFTWERK - ANTENNE (THE 3D-CATALOGUE)
I'm the antenna, catching vibration
You're the transmitter, give information
Wir richten Antennen ins Firmament
Empfangen die Töne die niemand kennt
I'm the transmitter, I give information
You're the antenna, catching vibration
Es strahlen die Sender Bild, Ton und Wort
Elektromagnetisch an jeden Ort
Radio-Sender und Hörer sind wir
Spielen im Äther das Wellenklavier
I'm the transmitter, I give information
You're the antenna, catching vibration
Wir richten Antennen ins Firmament
Empfangen die Töne, die niemand kennt
I'm the antenna, catching vibration
You're the transmitter, give information
I'm the transmitter, I give information
You're the antenna, catching vibration
Composers: Emil Schult, Ralf Hutter & Florian Schneider
© Kling Klang Musik GMBH
You're the transmitter, give information
Wir richten Antennen ins Firmament
Empfangen die Töne die niemand kennt
I'm the transmitter, I give information
You're the antenna, catching vibration
Es strahlen die Sender Bild, Ton und Wort
Elektromagnetisch an jeden Ort
Radio-Sender und Hörer sind wir
Spielen im Äther das Wellenklavier
I'm the transmitter, I give information
You're the antenna, catching vibration
Wir richten Antennen ins Firmament
Empfangen die Töne, die niemand kennt
I'm the antenna, catching vibration
You're the transmitter, give information
I'm the transmitter, I give information
You're the antenna, catching vibration
Composers: Emil Schult, Ralf Hutter & Florian Schneider
© Kling Klang Musik GMBH
Music and video data is owned by Kraftwerk.
20250508
PET SHOP BOYS - LOVE COMES QUICKLY (LIVE AT THE ROYAL ARENA COPENHAGEN 2023)
Sooner or later
this happens to everyone
to everyone
You can live your life lonely
heavy as stone
Live your life learning
and working alone
Say this is all you want
but I don't believe that it's true
'cause when you least expect it
waiting round the corner for you
Love comes quickly
whatever you do
you can't stop falling
Love comes quickly
whatever you do
you can't stop falling
You can live a life of luxury
if that's what you want
Taste forbidden pleasures
whatever you want
You can fly away to the end of the world
but where does it get you to?
'cause just when you least expect it
just what you least expect
Love comes quickly
whatever you do
you can't stop falling
Love comes quickly
whatever you do
you can't stop falling
I know it sounds ridiculous
but speaking from experience
It may seem romantic
and that's no defence
love will always get to you
Sooner or later, sooner or later
this happens to everyone
to everyone
You can fly away to the end of the world
but where does it get you?
Love comes quickly
whatever you do
you can't stop falling
Love comes quickly
whatever you do
you can't stop falling
Compositores: Neil Tennant / Christopher Lowe / Stephen Hague
this happens to everyone
to everyone
You can live your life lonely
heavy as stone
Live your life learning
and working alone
Say this is all you want
but I don't believe that it's true
'cause when you least expect it
waiting round the corner for you
Love comes quickly
whatever you do
you can't stop falling
Love comes quickly
whatever you do
you can't stop falling
You can live a life of luxury
if that's what you want
Taste forbidden pleasures
whatever you want
You can fly away to the end of the world
but where does it get you to?
'cause just when you least expect it
just what you least expect
Love comes quickly
whatever you do
you can't stop falling
Love comes quickly
whatever you do
you can't stop falling
I know it sounds ridiculous
but speaking from experience
It may seem romantic
and that's no defence
love will always get to you
Sooner or later, sooner or later
this happens to everyone
to everyone
You can fly away to the end of the world
but where does it get you?
Love comes quickly
whatever you do
you can't stop falling
Love comes quickly
whatever you do
you can't stop falling
Compositores: Neil Tennant / Christopher Lowe / Stephen Hague
Veja mais em @youtube.com
20250502
KRAFTWERK - PARADISO, AMSTERDAM 1976 - FULL CONCERT
Kraftwerk performing live in Paradiso hall, Amsterdam, Netherlands, September 11 1976.
In this concert Kraftwerk performed Trans-Europe Express live for the first time.
Track listing:
0:00 Audience noise
0:37 Introduction (Meine Damen und Herren)
01:07 Tuning of instruments
01:53 Europe Endless
14:11 Goethe poem
15:12 Kometenmelodie
27:28 Radioactivity
36:17 Airwaves
45:09 Voice of Energy
45:52 Die Sonne, Der Mond, Die Sterne/Ohm Sweet Ohm
55:34 Trans-Europe Express
01:09:55 Tongebirge
01:13:07 Autobahn (end due to end of tape)
In this concert Kraftwerk performed Trans-Europe Express live for the first time.
Track listing:
0:00 Audience noise
0:37 Introduction (Meine Damen und Herren)
01:07 Tuning of instruments
01:53 Europe Endless
14:11 Goethe poem
15:12 Kometenmelodie
27:28 Radioactivity
36:17 Airwaves
45:09 Voice of Energy
45:52 Die Sonne, Der Mond, Die Sterne/Ohm Sweet Ohm
55:34 Trans-Europe Express
01:09:55 Tongebirge
01:13:07 Autobahn (end due to end of tape)
20250430
DEPECHE MODE - WAGGING TONGUE (VINEGAR HILL SESSIONS)
WAGGING TONGUE
You won't do well to silence me
With your words or wagging tongue
With your long tall tales of sorrow
Your song yet to be sung
I won't be offended
If I'm left across the great divide
Believe me, they will follow
Just to watch another angel die
Watch another angel die
You won't do well to darken me
With your secrets and your lies
With your piercing code of silence
Relax, enjoy the ride
I'll meet you by the river
Or maybe on the other side
You find it hard to swallow
When you watch another angel die
Watch another angel die
Another sun is rising
Another day has come
You can find me, I'll be waiting
Until the day is done
I won't be persuaded
Kiss your doubts goodbye
Everything seems hollow
When you watch another angel die
Watch another angel die
Watch another angel die
Watch another angel die
Watch another angel die
Watch another angel die
Composers David Gahan / Martin Gore
Depeche Mode
You won't do well to silence me
With your words or wagging tongue
With your long tall tales of sorrow
Your song yet to be sung
I won't be offended
If I'm left across the great divide
Believe me, they will follow
Just to watch another angel die
Watch another angel die
You won't do well to darken me
With your secrets and your lies
With your piercing code of silence
Relax, enjoy the ride
I'll meet you by the river
Or maybe on the other side
You find it hard to swallow
When you watch another angel die
Watch another angel die
Another sun is rising
Another day has come
You can find me, I'll be waiting
Until the day is done
I won't be persuaded
Kiss your doubts goodbye
Everything seems hollow
When you watch another angel die
Watch another angel die
Watch another angel die
Watch another angel die
Watch another angel die
Watch another angel die
Composers David Gahan / Martin Gore
Depeche Mode
20250202
DEPECHE MODE - HEROES (HIGHLINE SESSIONS VERSION)
HEROES
I, I will be king
And you, you will be queen
Though nothing will drive them away
We can beat them, just for one day
We can be heroes, just for one day
And you, you can be mean
And I, I'll drink all the time
'Cause we're lovers, and that is a fact
Yes we're lovers, and that is that
Though nothing will keep us together
We could steal time just for one day
We can be heroes for ever and ever
What d'you say?
I, I wish you could swim
Like the dolphins, like dolphins can swim
Though nothing, nothing will keep us together
We can beat them, for ever and ever
Oh we can be Heroes, just for one day
I, I will be king
And you, you will be queen
Though nothing will drive them away
We can be Heroes, just for one day
We can be us, just for one day
I, I can remember (I remember)
Standing, by the wall (by the wall)
And the guns, shot above our heads (over our heads)
And we kissed, as though nothing could fall (nothing could fall)
And the shame, was on the other side
Oh we can beat them, for ever and ever
Then we could be Heroes, just for one day
We can be Heroes
We can be Heroes
We can be Heroes
Just for one day
We can be Heroes
We're nothing, and nothing will help us
Maybe we're lying, then you better not stay
But we could be safer, just for one day
Oh-oh-oh-ohh, oh-oh-oh-ohh, just for one day
Composers Brian Eno / David Bowie
Depeche Mode
I, I will be king
And you, you will be queen
Though nothing will drive them away
We can beat them, just for one day
We can be heroes, just for one day
And you, you can be mean
And I, I'll drink all the time
'Cause we're lovers, and that is a fact
Yes we're lovers, and that is that
Though nothing will keep us together
We could steal time just for one day
We can be heroes for ever and ever
What d'you say?
I, I wish you could swim
Like the dolphins, like dolphins can swim
Though nothing, nothing will keep us together
We can beat them, for ever and ever
Oh we can be Heroes, just for one day
I, I will be king
And you, you will be queen
Though nothing will drive them away
We can be Heroes, just for one day
We can be us, just for one day
I, I can remember (I remember)
Standing, by the wall (by the wall)
And the guns, shot above our heads (over our heads)
And we kissed, as though nothing could fall (nothing could fall)
And the shame, was on the other side
Oh we can beat them, for ever and ever
Then we could be Heroes, just for one day
We can be Heroes
We can be Heroes
We can be Heroes
Just for one day
We can be Heroes
We're nothing, and nothing will help us
Maybe we're lying, then you better not stay
But we could be safer, just for one day
Oh-oh-oh-ohh, oh-oh-oh-ohh, just for one day
Composers Brian Eno / David Bowie
Depeche Mode
20241006
THE CURE - CLOSE TO ME (ACOUSTIC VERSION)
CLOSE TO ME
I've waited hours for this
I've made myself so sick
I wish I'd stayed
Asleep today
I never thought this day would end
I never thought tonight could ever be
This close to me
Just try to see in the dark
Just try to make it work
To feel the fear
Before you're here
I make the shapes come much too close
I pull my eyes out
Hold my breath and wait
Until I sha-ha-ha-hake
But if I had your faith
Then I could make it safe and clean
Oh if only I was sure
That my head on the door was a dre-ea-eam
I've waited hours for this
I've made myself so sick
I wish I'd stayed
Asleep today
I never thought this day would end
I never thought tonight could ever be
This close to me
But if I had your face
Then I could make it safe and clean
Oh if only I was sure
That my head on the door was a dre-ea-eam
Composers Robert James Smith
The Cure
I've waited hours for this
I've made myself so sick
I wish I'd stayed
Asleep today
I never thought this day would end
I never thought tonight could ever be
This close to me
Just try to see in the dark
Just try to make it work
To feel the fear
Before you're here
I make the shapes come much too close
I pull my eyes out
Hold my breath and wait
Until I sha-ha-ha-hake
But if I had your faith
Then I could make it safe and clean
Oh if only I was sure
That my head on the door was a dre-ea-eam
I've waited hours for this
I've made myself so sick
I wish I'd stayed
Asleep today
I never thought this day would end
I never thought tonight could ever be
This close to me
But if I had your face
Then I could make it safe and clean
Oh if only I was sure
That my head on the door was a dre-ea-eam
Composers Robert James Smith
The Cure
20240929
AIR PLAY "MOON SAFARI" - ROYAL ALBERT HALL
A stereo binaural Dolby Atmos mix
Le duo AIR interprète l’emblématique album Moon Safari dans le prestigieux Royal Albert Hall, à Londres. Un concert d’exception pour se replonger dans l’âge d’or de la French Touch.
AIR est créé en 1995 par Nicolas Godin et Jean-Benoît Dunckel. Mélange synthétique d’une électro-pop élégante et mélodique, la musique du duo versaillais a fait d’eux les stars mondiales de la French Touch. Un statut d’exception qui continue aujourd’hui encore d’auréoler nos deux hommes, dans leur carrière respective comme lors de leurs retrouvailles.
Sorti en 1998 et porté par ses tubes éternels ("Kelly Watch The Stars", "All I Need", "Sexy Boy"...), Moon Safari est le tout premier album de AIR. Cet opus fondateur a influencé tout un courant musical et coloré d'une richesse sonore inégalable les rêves d'une génération.
Vingt-six ans après sa publication, le duo formé par Jean-Benoît Dunckel et Nicolas Godin reprend le chemin de la scène pour jouer dans le monde entier et en intégralité cet album culte. L’un des moments forts de cet tournée est cette date dans le mythique Royal Albert Hall, point d'orgue des plus grandes carrières. Un concert d'exception dans un décor raccord.
Filmé le 31 mai 2024 au Royal Albert Hall, Londres (Royaume-Uni).
Réalisé par David Ctiborsky
0:00 La Femme d’Argent
7:58 Sexy Boy
12:56 All I Need
17:36 Kelly Watch The Stars
21:45 Talisman
26:11 Remember
28:45 You Make It Easy
33:03 Ce Matin là
37:20 New Star In The Sky
42:39 Le Voyage de Pénélope
46:44 Radian
50:52 Venus
55:16 Cherry Blossom Girl
59:09 Run
1:04:32 Highschool Lover
1:08:27 Surfing On A Rocket
1:12:24 Don’t Be Light
1:19:00 Alone In Kyoto
1:23:20 Electronic Performers
More at @blogotheque
Le duo AIR interprète l’emblématique album Moon Safari dans le prestigieux Royal Albert Hall, à Londres. Un concert d’exception pour se replonger dans l’âge d’or de la French Touch.
AIR est créé en 1995 par Nicolas Godin et Jean-Benoît Dunckel. Mélange synthétique d’une électro-pop élégante et mélodique, la musique du duo versaillais a fait d’eux les stars mondiales de la French Touch. Un statut d’exception qui continue aujourd’hui encore d’auréoler nos deux hommes, dans leur carrière respective comme lors de leurs retrouvailles.
Sorti en 1998 et porté par ses tubes éternels ("Kelly Watch The Stars", "All I Need", "Sexy Boy"...), Moon Safari est le tout premier album de AIR. Cet opus fondateur a influencé tout un courant musical et coloré d'une richesse sonore inégalable les rêves d'une génération.
Vingt-six ans après sa publication, le duo formé par Jean-Benoît Dunckel et Nicolas Godin reprend le chemin de la scène pour jouer dans le monde entier et en intégralité cet album culte. L’un des moments forts de cet tournée est cette date dans le mythique Royal Albert Hall, point d'orgue des plus grandes carrières. Un concert d'exception dans un décor raccord.
Filmé le 31 mai 2024 au Royal Albert Hall, Londres (Royaume-Uni).
Réalisé par David Ctiborsky
0:00 La Femme d’Argent
7:58 Sexy Boy
12:56 All I Need
17:36 Kelly Watch The Stars
21:45 Talisman
26:11 Remember
28:45 You Make It Easy
33:03 Ce Matin là
37:20 New Star In The Sky
42:39 Le Voyage de Pénélope
46:44 Radian
50:52 Venus
55:16 Cherry Blossom Girl
59:09 Run
1:04:32 Highschool Lover
1:08:27 Surfing On A Rocket
1:12:24 Don’t Be Light
1:19:00 Alone In Kyoto
1:23:20 Electronic Performers
More at @blogotheque
20240617
KRAFTWERK 2024-05-17 COLUMBUS, KEMBA LIVE! - FULL SHOW 4K
Kraftwerk
2024-05-17
Columbus, OH
Kemba Live!
Full Show 4K
Audio: Schoeps MK4 + Babynbox + Sony PCM-M10 (Oade Concert Mod)
Video: Panasonic ZS100
Recorded By: RyanJ
0:00 Pre Show / Vocoder Intro
1:29 Numbers/Computer World
10:11 It’s More Fun To Compute / Home Computer
17:04 Spacelab
22:02 Intermission/News
23:35 Radioactivity
30:29 Radioland
35:53 Airwaves
40:46 The Voice Of Energy
41:38 Antenna
45:19 Radio stars
47:41 Uranium
49:06 Transistor
50:30 Ohm Sweet Ohm
53:36 The Man-Machine
58:46 Electric Cafe
1:02:44 Autobahn
1:11:35 The Model
1:15:25 Tour De France 1983
------ Tour De France 2003 REMOVED DUE TO COPYRIGHT CLAIMS
1:23:20 Trans Europe Express / Metal On Metal / Abzug
1:31:11 The Robots
1:38:24 Planet of Visions
1:42:52 Non Stop
1:46:41 Boing Boom Tschak
1:47:50 Music Non Stop
It's crazy to think I have not seen Kraftwerk since 2016 at Movement Festival in Detroit... But with COVID cancelling the 2020 tour and then missing the 2022 tour due to conflicting schedules, here we are. Kraftwerk, as always, puts on an amazing show with fantastic sound. It is so damn crisp. Only other places I can think of having just unreal sound are some techno clubs I've been to or Riot Fest's sound. I have to only assume that these two dates (randomly) in Ohio have to be some warm up dates to the real thing with their Los Angeles residency at Walt Disney Theater in a few days time. Just to make sure everything was dialed in.
I had not looked at the setlist prior to this show. But I assumed that it would be mostly the same from what I had seen in the last 20 years or so. I got there relatively early in order to get a great spot for the show to record from and was able to pull a nice spot at the rail of the elevated section of the floor! I ran right past the merch booth as I assumed they would have the normal stuff there. But saw they were selling venue specific posters and some signed! But I knew I had to pass in order to get a good spot. Hoping they would be left after the show. Doors were at 7 so I assumed they would start at 8. But they did not go on until 830. I was very excited to hear them play Radioactivity in full! So I have been lucky to see over half of the albums performed. Visuals were stunning as always and I feel that from even the last time that I saw them they have been upscaled to better screens/resolution. Although I put 'Tour de France 2003' as the track, it's their huge medley of Stage 1/2/3, Chrono etc that they usually play. I wasn't going to track it out separately.
The recording is fantastic. I am super pleased with how this came out and it honestly could be my best Schoeps tape to date. Besides a few 'woos' from the guy to my left, I can say this was a flawless tape. The video also came out well, which you can see at the link. Right after the set, I bolted to the merch table and to my surprise, they had a lot of posters still! I guess the $100 price tag was a bit much. But Kraftwerk has never sold posters for specific dates, so I needed it. I am looking forward to getting it framed. All in all, it was a great trip down to Columbus and one of the very rare shows I have been able to catch this year.
2024-05-17
Columbus, OH
Kemba Live!
Full Show 4K
Audio: Schoeps MK4 + Babynbox + Sony PCM-M10 (Oade Concert Mod)
Video: Panasonic ZS100
Recorded By: RyanJ
0:00 Pre Show / Vocoder Intro
1:29 Numbers/Computer World
10:11 It’s More Fun To Compute / Home Computer
17:04 Spacelab
22:02 Intermission/News
23:35 Radioactivity
30:29 Radioland
35:53 Airwaves
40:46 The Voice Of Energy
41:38 Antenna
45:19 Radio stars
47:41 Uranium
49:06 Transistor
50:30 Ohm Sweet Ohm
53:36 The Man-Machine
58:46 Electric Cafe
1:02:44 Autobahn
1:11:35 The Model
1:15:25 Tour De France 1983
------ Tour De France 2003 REMOVED DUE TO COPYRIGHT CLAIMS
1:23:20 Trans Europe Express / Metal On Metal / Abzug
1:31:11 The Robots
1:38:24 Planet of Visions
1:42:52 Non Stop
1:46:41 Boing Boom Tschak
1:47:50 Music Non Stop
It's crazy to think I have not seen Kraftwerk since 2016 at Movement Festival in Detroit... But with COVID cancelling the 2020 tour and then missing the 2022 tour due to conflicting schedules, here we are. Kraftwerk, as always, puts on an amazing show with fantastic sound. It is so damn crisp. Only other places I can think of having just unreal sound are some techno clubs I've been to or Riot Fest's sound. I have to only assume that these two dates (randomly) in Ohio have to be some warm up dates to the real thing with their Los Angeles residency at Walt Disney Theater in a few days time. Just to make sure everything was dialed in.
I had not looked at the setlist prior to this show. But I assumed that it would be mostly the same from what I had seen in the last 20 years or so. I got there relatively early in order to get a great spot for the show to record from and was able to pull a nice spot at the rail of the elevated section of the floor! I ran right past the merch booth as I assumed they would have the normal stuff there. But saw they were selling venue specific posters and some signed! But I knew I had to pass in order to get a good spot. Hoping they would be left after the show. Doors were at 7 so I assumed they would start at 8. But they did not go on until 830. I was very excited to hear them play Radioactivity in full! So I have been lucky to see over half of the albums performed. Visuals were stunning as always and I feel that from even the last time that I saw them they have been upscaled to better screens/resolution. Although I put 'Tour de France 2003' as the track, it's their huge medley of Stage 1/2/3, Chrono etc that they usually play. I wasn't going to track it out separately.
The recording is fantastic. I am super pleased with how this came out and it honestly could be my best Schoeps tape to date. Besides a few 'woos' from the guy to my left, I can say this was a flawless tape. The video also came out well, which you can see at the link. Right after the set, I bolted to the merch table and to my surprise, they had a lot of posters still! I guess the $100 price tag was a bit much. But Kraftwerk has never sold posters for specific dates, so I needed it. I am looking forward to getting it framed. All in all, it was a great trip down to Columbus and one of the very rare shows I have been able to catch this year.
Thank you Ryan J.
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20240410
'COMFORTABLY NUMB' DE PINK FLOYD, LIVE 8 EM HYDE PARK 2005
Hello? (Hello? Hello? Hello?)
Is there anybody in there?
Just nod if you can hear me
Is there anyone home?
Come on now
I hear you're feeling down
Well I can ease your pain
Get you on your feet again
Relax
I'll need some information first
Just the basic facts
Can you show me where it hurts?
There is no pain you are receding
A distant ship smoke on the horizon
You are only coming through in waves
Your lips move but I can't hear what you're saying
When I was a child I had a fever
My hands felt just like two balloons
Now I've got that feeling once again
I can't explain you would not understand
This is not how I am
I have become comfortably numb
I have become comfortably numb
Okay (okay, okay, okay)
Just a little pinprick
There'll be no more, ah
But you may feel a little sick
Can you stand up?
I do believe it's working, good
That'll keep you going through the show
Come on it's time to go
There is no pain you are receding
A distant ship, smoke on the horizon
You are only coming through in waves
Your lips move but I can't hear what you're saying
When I was a child
I caught a fleeting glimpse
Out of the corner of my eye
I turned to look but it was gone
I cannot put my finger on it now
The child is grown
The dream is gone
I have become comfortably numb
Composers: David Jon Gilmour / Roger Waters
Lyrics Comfortably Numb © BMG Rights Management, Concord Music Publishing LLC, Peermusic Publishing
O vídeo oficial de 'Comfortably Numb' de Pink Floyd, gravado no Live 8 em Hyde Park em 2005.
"Comfortably Numb" foi originalmente lançado em 'The Wall' em 1979. Um dos álbuns conceituais mais aclamados de todos os tempos, The Wall é conhecido como Roger Waters 'Rock Opera lidando com o abandono e o isolamento pessoal. Com a obra de arte única de Gerald Scarfe, o álbum também produziu o sucesso do US One & Brick In The Wall Pt2, e posteriormente foi adaptado para o cinema por Alan Parker com Bob Geldof no papel principal.
www.pinkfloyd.com
Is there anybody in there?
Just nod if you can hear me
Is there anyone home?
Come on now
I hear you're feeling down
Well I can ease your pain
Get you on your feet again
Relax
I'll need some information first
Just the basic facts
Can you show me where it hurts?
There is no pain you are receding
A distant ship smoke on the horizon
You are only coming through in waves
Your lips move but I can't hear what you're saying
When I was a child I had a fever
My hands felt just like two balloons
Now I've got that feeling once again
I can't explain you would not understand
This is not how I am
I have become comfortably numb
I have become comfortably numb
Okay (okay, okay, okay)
Just a little pinprick
There'll be no more, ah
But you may feel a little sick
Can you stand up?
I do believe it's working, good
That'll keep you going through the show
Come on it's time to go
There is no pain you are receding
A distant ship, smoke on the horizon
You are only coming through in waves
Your lips move but I can't hear what you're saying
When I was a child
I caught a fleeting glimpse
Out of the corner of my eye
I turned to look but it was gone
I cannot put my finger on it now
The child is grown
The dream is gone
I have become comfortably numb
Composers: David Jon Gilmour / Roger Waters
Lyrics Comfortably Numb © BMG Rights Management, Concord Music Publishing LLC, Peermusic Publishing
O vídeo oficial de 'Comfortably Numb' de Pink Floyd, gravado no Live 8 em Hyde Park em 2005.
"Comfortably Numb" foi originalmente lançado em 'The Wall' em 1979. Um dos álbuns conceituais mais aclamados de todos os tempos, The Wall é conhecido como Roger Waters 'Rock Opera lidando com o abandono e o isolamento pessoal. Com a obra de arte única de Gerald Scarfe, o álbum também produziu o sucesso do US One & Brick In The Wall Pt2, e posteriormente foi adaptado para o cinema por Alan Parker com Bob Geldof no papel principal.
www.pinkfloyd.com
20240306
DAFT PUNK - INFINITY REPEATING (2013 DEMO) (FEAT. JULIAN CASABLANCAS+THE VOIDZ)
I was crossing the border, two old friend coincidence
I don't want any other, two old friend coincidences
Weekday, weekday, weekday
I don't want to play any other game
On a simpler day
It's not right, it's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
What he does, he does well
He does well and he knows, he knows it
Lay down, just lay down
I was crossing the border, we were waiting in line
I don't want any other, two old friend coincidences
Forks inside my head, dinner's at mine or yours?
Weekday, weekday, weekday
I don't wanna say what he wants to know
On a simpler day
It's not right, it's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
Music Video Written & Directed By: WARREN FU @warrenjfu
Produced By: PARTIZAN STUDIO @partizan.studio, @wearepartizan
Executive Producers: ANGELA FOSTER, SARA NIX
Producer: RYAN REICHENFELD
Associate Producers: ELISSA NECHAMKIN, JONAH HIGAONNA
In Association With: DAFT LIFE, LTD.
Creative Director: CÉDRIC HERVET
Production Coordinator: LANA GREENAWAY
Artist Management Daft Punk: EMMANUEL DE BURETEL / BECAUSE MUSIC
Artist Management Julian Casablancas: BEN GOLDSTEIN / TOTAL RECALL
ACT 1
:00 to 1:05
Animation Directed By: PICNIC STUDIO @picnicstudio
Creative Director: LIAM O'CONNOR
Executive Producer: MINA SONG
Animation Director: ROBERT FAUX
Character Designers: LIAM O'CONNOR, ROBERT FAUX, WARREN FU
Animator: THÀNH TRẦN
Animator: DECO DAVIOLA
Animator: TOMÁS KIYOSHI
Compositor: CHRIS SAYER
1940’s Man Talent: RYAN REICHENFELD
70’s Rotoscope Talent: ADDISA GOLDMAN
Flipbook Cinematographer: LOGAN ALEXANDER
ACT 2
1:05 to 2:30
Animation Directed By: H5 @h5paris
Creative Director: LUDOVIC HOUPLAIN
Executive Producer & Art Director: FEDERICO MATARAZZO
Character Designer: STÉPHANE LEVALLOIS
Character Colorist: FEDERICO TRAMONTE
CGI/VFX : MACHINE MOLLE @machinemollestudio
Vfx Supervisor: VINCENT DUPUIS
Production Coordinator: JULIETTE LESORT
Compositing Supervisor: RONAN DUMESNIL
Compositing artist: ALEXANDRE MOUKALA-PEZ
2D animation: SWAN LENCZNE
Data I/O technician: MARIE WATRIGANT
Data I/O technician: CYRILLE QUINQUET
CGI : MEAT DEPT @meatdept.tv
CG Supervisor: KEVIN VAN DER MEIREN
CG artist: DAVID NICOLAS
CG artist: LINO GRANDI
CG artist: CYRIELLE GULACSY
CG artist: ANGELO CARAMANICA
CG artist: LUCA GIARRETTINO
ACT 3
2:30 to 4:18
Animation Direction and Character Design By: WARREN FU
Animation By: LIGHT @lightvfxstudio
Creative Director: ANTOINE MOULINEAU
Animation Director: DAN VISLOCKY
Executive Producer: GUILLAUME RAFFI
CG Supervisor: RAPHAËL BOT-GARTNER
Art Director: AURÉLIEN RONCERAY
FX Supervisor: STEVEN DUPUY
Compositing Supervisor: TERRY WU
Asset Supervisor: MARIE FICHET
Producer: EILEEN KOHLHEPP
Production Manager: LUCIE PAROL
Production Coordinator: MICHELLE POLACINSKI
Production Coordinator: LOU LECOMMANDEUR
Reference Shoot Talent: MEAGAN KONG
Finishing By: LIGHT @lightvfxstudio
VFX Supervisor / Finishing: SEB CAUDRON
VFX Online Editor: GAËL CHEVAL
Sound Design and Audio Mix: THERAPY STUDIOS @therapy_studios
Sound Designers: DILLON CAHILL, EDDIE KIM
Sound Assistant: DORIELLE HOLLY
Executive Producer: MARGARET WARD
Visualization By: THE THIRD FLOOR, INC. @thethirdfloor_visualization
Visualization Supervisor: SOPHIA YU
Visualization Coordinator: ERICA FAUNDO
Export TD: BRIAN PACE
Visualization Line Producer: MEGAN HARGER
Visualization Producers: DANE ALLAN SMITH, ELIZABETH MONTES
Pre-Production Animatic By: VERONICA SANCHEZ
PARTIZAN ENTERTAINMENT @wearepartizan
Founder: GEORGES BERMANN
Managing Partner: JULIE FONG
Infinity Repeating (2013 Demo)
(T. Bangalter, J. Casablancas, G.M. de Homem-Christo)
Published by Concord Music Publishing LLC for the world excluding France, Daft Music/Because Editions for France, Concord Global Music / Minorbutmajor (admin. by Concord Global Music) (GMR) c/o Concord Music Publishing
© 2023 Daft Life Ltd
@daftpunk
www.daftpunk.com
I don't want any other, two old friend coincidences
Weekday, weekday, weekday
I don't want to play any other game
On a simpler day
It's not right, it's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
What he does, he does well
He does well and he knows, he knows it
Lay down, just lay down
I was crossing the border, we were waiting in line
I don't want any other, two old friend coincidences
Forks inside my head, dinner's at mine or yours?
Weekday, weekday, weekday
I don't wanna say what he wants to know
On a simpler day
It's not right, it's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
It's not true, it's not right
It's not how we used to do
Music Video Written & Directed By: WARREN FU @warrenjfu
Produced By: PARTIZAN STUDIO @partizan.studio, @wearepartizan
Executive Producers: ANGELA FOSTER, SARA NIX
Producer: RYAN REICHENFELD
Associate Producers: ELISSA NECHAMKIN, JONAH HIGAONNA
In Association With: DAFT LIFE, LTD.
Creative Director: CÉDRIC HERVET
Production Coordinator: LANA GREENAWAY
Artist Management Daft Punk: EMMANUEL DE BURETEL / BECAUSE MUSIC
Artist Management Julian Casablancas: BEN GOLDSTEIN / TOTAL RECALL
ACT 1
:00 to 1:05
Animation Directed By: PICNIC STUDIO @picnicstudio
Creative Director: LIAM O'CONNOR
Executive Producer: MINA SONG
Animation Director: ROBERT FAUX
Character Designers: LIAM O'CONNOR, ROBERT FAUX, WARREN FU
Animator: THÀNH TRẦN
Animator: DECO DAVIOLA
Animator: TOMÁS KIYOSHI
Compositor: CHRIS SAYER
1940’s Man Talent: RYAN REICHENFELD
70’s Rotoscope Talent: ADDISA GOLDMAN
Flipbook Cinematographer: LOGAN ALEXANDER
ACT 2
1:05 to 2:30
Animation Directed By: H5 @h5paris
Creative Director: LUDOVIC HOUPLAIN
Executive Producer & Art Director: FEDERICO MATARAZZO
Character Designer: STÉPHANE LEVALLOIS
Character Colorist: FEDERICO TRAMONTE
CGI/VFX : MACHINE MOLLE @machinemollestudio
Vfx Supervisor: VINCENT DUPUIS
Production Coordinator: JULIETTE LESORT
Compositing Supervisor: RONAN DUMESNIL
Compositing artist: ALEXANDRE MOUKALA-PEZ
2D animation: SWAN LENCZNE
Data I/O technician: MARIE WATRIGANT
Data I/O technician: CYRILLE QUINQUET
CGI : MEAT DEPT @meatdept.tv
CG Supervisor: KEVIN VAN DER MEIREN
CG artist: DAVID NICOLAS
CG artist: LINO GRANDI
CG artist: CYRIELLE GULACSY
CG artist: ANGELO CARAMANICA
CG artist: LUCA GIARRETTINO
ACT 3
2:30 to 4:18
Animation Direction and Character Design By: WARREN FU
Animation By: LIGHT @lightvfxstudio
Creative Director: ANTOINE MOULINEAU
Animation Director: DAN VISLOCKY
Executive Producer: GUILLAUME RAFFI
CG Supervisor: RAPHAËL BOT-GARTNER
Art Director: AURÉLIEN RONCERAY
FX Supervisor: STEVEN DUPUY
Compositing Supervisor: TERRY WU
Asset Supervisor: MARIE FICHET
Producer: EILEEN KOHLHEPP
Production Manager: LUCIE PAROL
Production Coordinator: MICHELLE POLACINSKI
Production Coordinator: LOU LECOMMANDEUR
Reference Shoot Talent: MEAGAN KONG
Finishing By: LIGHT @lightvfxstudio
VFX Supervisor / Finishing: SEB CAUDRON
VFX Online Editor: GAËL CHEVAL
Sound Design and Audio Mix: THERAPY STUDIOS @therapy_studios
Sound Designers: DILLON CAHILL, EDDIE KIM
Sound Assistant: DORIELLE HOLLY
Executive Producer: MARGARET WARD
Visualization By: THE THIRD FLOOR, INC. @thethirdfloor_visualization
Visualization Supervisor: SOPHIA YU
Visualization Coordinator: ERICA FAUNDO
Export TD: BRIAN PACE
Visualization Line Producer: MEGAN HARGER
Visualization Producers: DANE ALLAN SMITH, ELIZABETH MONTES
Pre-Production Animatic By: VERONICA SANCHEZ
PARTIZAN ENTERTAINMENT @wearepartizan
Founder: GEORGES BERMANN
Managing Partner: JULIE FONG
Infinity Repeating (2013 Demo)
(T. Bangalter, J. Casablancas, G.M. de Homem-Christo)
Published by Concord Music Publishing LLC for the world excluding France, Daft Music/Because Editions for France, Concord Global Music / Minorbutmajor (admin. by Concord Global Music) (GMR) c/o Concord Music Publishing
© 2023 Daft Life Ltd
@daftpunk
www.daftpunk.com
20240302
DAFT PUNK GANHA ESTÁTUAS DE CERA NO MADAME TUSSAUDS DE NOVA YORK
O Daft Punk ganhou uma homenagem no museu de cera Madame Tussauds de Nova York. A revelação aconteceu dia 27/02/2024.
O duo francês de música eletrônica foi retratado com as roupas de sua era Random Access Memories, seu álbum derradeiro de 2013. Além dos capacetes, eles ganham réplicas dos ternos brilhantes Le Smoking, de Saint Laurent, desenhados por Hedi Slimane.
Leia mais em @rollingstone
www.daftpunk.com
O duo francês de música eletrônica foi retratado com as roupas de sua era Random Access Memories, seu álbum derradeiro de 2013. Além dos capacetes, eles ganham réplicas dos ternos brilhantes Le Smoking, de Saint Laurent, desenhados por Hedi Slimane.
Leia mais em @rollingstone
www.daftpunk.com
20240229
20240224
KRAFTWERK - SHOWROOM DUMMIES (GÖTEBORGS SYMFONIKER COVER)
KRAFTWERK - SHOWROOM DUMMIES (GÖTEBORGS SYMFONIKER COVER)
We are standing here
Exposing ourselves
We are showroom dummies
We're being watched
And we feel our pulse
We are showroom dummies
We look around
And change our pose
We are showroom dummies
We start to move
And we break the glass
We are showroom dummies
We step out
And take a walk through the city
We are showroom dummies
We go into a club
And there we start to dance
We are showroom dummies
Composers: Ralf Hutter
Veja mais em @ZkajisMusic - HQ Audio
Exposing ourselves
We are showroom dummies
We're being watched
And we feel our pulse
We are showroom dummies
We look around
And change our pose
We are showroom dummies
We start to move
And we break the glass
We are showroom dummies
We step out
And take a walk through the city
We are showroom dummies
We go into a club
And there we start to dance
We are showroom dummies
Composers: Ralf Hutter
Veja mais em @ZkajisMusic - HQ Audio
20240221
THOMAS DOLBY - BLINDED ME WITH SCIENCE (BING LOUNGE)
October 12, 2011 - Thomas Dolby with "Blinded Me With Science" in the Bing Lounge, presented by Dick Hannah Dealerships. 101.9 KINK.FM. Portland, OR
It's poetry in motion
She turned her tender eyes to me
As deep as any ocean
As sweet as any harmony
But she blinded me with science
(She blinded me with science!)
And failed me in biology, hey (huh, huh, huh)
Huh, huh
When I'm dancing close to her
(Blinding me with science, science)
(Science!)
I can smell the chemicals
(Blinding me with science, science)
(Science!)
Now, but it's poetry in motion
When she turned her eyes to me
As deep as any ocean
Sweet as any harmony
She blinded me with science
(She blinded me with science)
Failed me in geometry
When she's dancing next to me
(Blinding me with science, science)
(Science)
I can hear machinery
(Blinding me with science, science)
(Science!)
Ha, it's poetry in motion
Now she's making love to me
The spheres are in commotion
The elements in harmony
She blinded me with science
(She blinded me with science)
And hit me with technology
Hey, I don't believe it
There she goes again
She's tidied up and I can't find anything
All my tubes and wires
And careful notes
And antiquated notions
But it's poetry in motion
When she turned her eyes to me
As deep as any ocean
As sweet as any harmony
Oh, she blinded me with science
(She blinded me with science)
She blinded me with
Composers: Jonathan Kerr / Thomas Dolby
@thomasdolby.com
She turned her tender eyes to me
As deep as any ocean
As sweet as any harmony
But she blinded me with science
(She blinded me with science!)
And failed me in biology, hey (huh, huh, huh)
Huh, huh
When I'm dancing close to her
(Blinding me with science, science)
(Science!)
I can smell the chemicals
(Blinding me with science, science)
(Science!)
Now, but it's poetry in motion
When she turned her eyes to me
As deep as any ocean
Sweet as any harmony
She blinded me with science
(She blinded me with science)
Failed me in geometry
When she's dancing next to me
(Blinding me with science, science)
(Science)
I can hear machinery
(Blinding me with science, science)
(Science!)
Ha, it's poetry in motion
Now she's making love to me
The spheres are in commotion
The elements in harmony
She blinded me with science
(She blinded me with science)
And hit me with technology
Hey, I don't believe it
There she goes again
She's tidied up and I can't find anything
All my tubes and wires
And careful notes
And antiquated notions
But it's poetry in motion
When she turned her eyes to me
As deep as any ocean
As sweet as any harmony
Oh, she blinded me with science
(She blinded me with science)
She blinded me with
Composers: Jonathan Kerr / Thomas Dolby
@thomasdolby.com
20230501
20221219
DEPECHE MODE - BROKEN (LIVE STUDIO SESSION)
If you want control without any pain
How long will you suffer?
How long will you reign?
You see the friend that I knew?
He cannot be found
Replaced by another
Wearing his crown
There's a place where I go
Without any sound
Only you can reach me
Only you're allowed
And you're so far away
You're so far from here
Do you remember
A time without tears?
When you're falling
I will catch you
You don't have to fall that far
You can make it
I will be there
You were broken from the start
When you were a child
You'd dream all day long
You'd dream of the future
Get lost in your songs
Now that time is gone
It's lost for you now
Words long forgotten
Forgotten somehow
When you're falling
I will catch you
You don't have to fall that far
You can make it
I will be there
You were broken from the start
When you're falling
I will catch you
You don't have to fall that far
You can make it
I will be there
You were broken from the start
When you're falling
I will catch you
You don't have to fall that far
You can make it
I will be there
You were broken from the start
Composers: David Gahan / Kurt Uenala
@depechemode.com
@depechemode
How long will you suffer?
How long will you reign?
You see the friend that I knew?
He cannot be found
Replaced by another
Wearing his crown
There's a place where I go
Without any sound
Only you can reach me
Only you're allowed
And you're so far away
You're so far from here
Do you remember
A time without tears?
When you're falling
I will catch you
You don't have to fall that far
You can make it
I will be there
You were broken from the start
When you were a child
You'd dream all day long
You'd dream of the future
Get lost in your songs
Now that time is gone
It's lost for you now
Words long forgotten
Forgotten somehow
When you're falling
I will catch you
You don't have to fall that far
You can make it
I will be there
You were broken from the start
When you're falling
I will catch you
You don't have to fall that far
You can make it
I will be there
You were broken from the start
When you're falling
I will catch you
You don't have to fall that far
You can make it
I will be there
You were broken from the start
Composers: David Gahan / Kurt Uenala
@depechemode.com
@depechemode
