AL‐QASAR - KIşISEL İSA (PERSONAL JESUS) (DEPECHE MODE COVER) (LIVE ON KEXP)

KEXP presents Al‐Qasar covering "Kişisel İsa (Personal Jesus)" by Depeche Mode live in the KEXP studio. Recorded May 15, 2026.

Thomas ATTAR - Guitar, Saz
Zohra ATASH - Vocal
Errick Lewis - Bass
Tiago Trad - Drums

Host: Darek Mazzone
Audio Engineer: Kevin Suggs & Jon Roberts
Audio Mixer: Makoto Yagyu & Thomas Attar
Mastering Engineer: Matt Ogaz

Cameras: Jim Beckmann, Carlos Cruz, Leah Franks & Scott Holpainen
Editor: Carlos Cruz

Leia mais em @kexp.org e @alqasar.bandcamp.com

KRAFTWERK — LIVE — USA — WARFIELD THEATRE — SAN FRANCISCO, CA (07/06/1998) - SOUNDBOARD =)

The final years of the 1990s for Kraftwerk were interesting. After the successful tour for the album The Mix (1991), Kraftwerk made a series of memorable performances across Europe, which lasted until 1993, with performances at small events and only returning to the stage in 1997 at The Tribal Gathering Festival (1993 - 2004/UK).
1998 they made presentations outside the main countries in Europe, going to Japan, the USA and for the first time in Latin America.
This recording at the Warfield Theater (San Francisco - California) is considered by many fans to be one of the best recordings.
And the year 1998 marked the end of the use of the classic (legendary) and analogue studio Kling Klang on stage. And the last tour using calculators =(.
However, they presented the public with three new tracks.
In this recording that I publish here, there is a gap between the tracks in a cut in one of them. This was the most complete file I found with the best recording.
If you have more details about this presentation, and if you have photos of it, or if there is any error here, leave your comment below. Other Kraftwerk fans around the world enjoyed finding out more about this event.

Mais em @elektrokardiogramn

CABARET VOLTAIRE - FULL PERFORMANCE (LIVE ON KEXP)

Cabaret Voltaire performing live in the KEXP studio. Recorded May 3, 2026.

Songs:
24-24 00:30
Landslide 05:26
Spies In the Wires 08:44
Nag Nag Nag 13:39
Sensoria 18:20

Stephen(Mal) Mallinder - Vocals, Synths
Benge Edwards - Drums
Tara Busch - Synths
Eric Random - Guitar, Synths
Dan Conway - Visuals, LD

Host: Kevin Cole
Audio Engineer: Jon Roberts
Mastering Engineer: Matt Ogaz

Cameras: Jim Beckmann, Carlos Cruz, Emma Juncosa & Ettie Wahl
Editor: Carlos Cruz

Leia mais em @cabaretvoltaire.bandcamp.com e @kexp.org

DAFT PUNK - HUMAN AFTER ALL (OFFICIAL MUSIC VIDEO)

Leia mais em www.daftpunk.com

ANGINE DE POITRINE - FULL PERFORMANCE (LIVE ON KEXP)

Kexp presents Angine de Poitrine performing live at ESMA in Rennes, France, during Trans Musicales 2025. Recorded December 04, 2025.

Songs:
Sarniezz 00:32
Mata Zyklek 06:10
Fabienk 13:09
Sherpa 20:33

Khn de Poitrine - Microtonal Guitars
Klek de Poitrine - Drums

Host: Morgan
Audio Engineer: Matt Ogaz
Guest Audio Engineer, Mixer & Mastering: Dany Lemay

Cameras: Jim Beckmann, Carlos Cruz, Scott Holpainen & Luke Knecht
Editor: Carlos Cruz

More at anginedepoitrine.com, www.lestrans.com, www.esma-artistique.com, www.tourisme-rennes.com and kexp.org.

MADONNA - GIRL GONE WILD (OFFICIAL VIDEO)

Oh my God
I am heartly sorry for having offended Thee
And I detest all my sins
Because I dread the loss of heaven and the pain of hell
But most of all, because I love Thee
And I want so badly too be good (good, good, good, good)

It's so hypnotic
The way he pulls on me
It's like the force of gravity right up under my feet
It's so erotic
This feeling can't be beat
It's coursing through my whole body, feel the heat

I got that burnin' hot desire
And no one can put out my fire
It's coming right down through the wire
Here it comes
When I hear them 808 drums
It's got me singing

Hey-ey-ey-ey-eh-ey
Like a girl gone wild, a good girl gone wild
I'm like, hey-ey-ey-ey-eh-ey
Like a girl gone wild, a good girl gone wild
Girls, they just wanna have some fun
Get fired up like a smokin' gun
On the floor 'til the daylight comes
Girls, they just wanna have some fun

Like a girl gone wild, a good girl gone wild
I'm like a girl gone wild, a good girl gone wild

The room is spinning
It must be the tanqueray
I'm about to go astray, my inhibition's gone away
I feel like sinning
You got me in the zone
DJ play my favorite song, turn me on

I got that burnin' hot desire
And no one can put out my fire
It's coming right down through the wire
Here it comes
When I hear them 808 drums
It's got me singing

Hey-ey-ey-ey-eh-ey
Like a girl gone wild, a good girl gone wild
I'm like, hey-ey-ey-ey-eh-ey
Like a girl gone wild, a good girl gone wild
Girls, they just wanna have some fun
Get fired up like a smokin' gun
On the floor 'til the daylight comes
Girls, they just wanna have some fun

I know, I know, I know I shouldn't act this way
I know, I know, I know good girls don't misbehave
Misbehave
But I'm a bad girl, anyway
Forgive me

Hey-ey-ey-ey-eh-ey
Like a girl gone wild, a good girl gone wild
I'm like, hey-ey-ey-ey-eh-ey
Like a girl gone wild, a good girl gone wild
Girls, they just wanna have some fun
Get fired up like a smokin' gun
On the floor 'til the daylight comes
Girls, they just wanna have some fun
Like a girl gone wild, a good girl gone wild
I'm like a girl gone wild, a good girl gone wild

More at @www.madonna.com

RIDERS ON THE STORM FT. THE DOORS | SONG AROUND THE WORLD | PLAYING FOR CHANGE

DAFT PUNK - VERIDIS QUO

Isso que é encerrar a carreira com arte.

DAVID BYRNE: TINY DESK CONCERT

David Byrne has a long history of staging elaborate live shows, often with a sprawling cast of musicians, highly choreographed dancing and unusual instrumentation. So when we learned he wanted to have more than a dozen performers at the Tiny Desk, playing everything from cello, saxophone and marimba to a Brazilian timbau and zabumba (not to mention various guitars and keys), we weren't sure we'd be able to fit it all in.

It turns out his latest tour, for the album Who Is The Sky?, is well designed for our roughly 10 by 11-foot space. Though Byrne and his band do normally spread out across large stages, the set design for each show is almost completely bare, without any cables or amps, and the artists wear or carry compact, custom-made instruments to make it easier to move, almost like a marching band.

It's cozy, but Byrne and his band, in matching, brilliant blue suits, squeeze behind the Desk to perform four songs, opening with the euphoric "Everybody Laughs," followed by "Don't Be Like That," both from his new album. They also perform two Talking Heads songs: "(Nothing But) Flowers," from the 1988 album Naked, and a show-stopping version of "Life During Wartime," from 1979's Fear of Music.

It was a bucket-list performance for the Tiny Desk. Afterward, as the rest of the band and crew dispersed, Byrne hopped on a rented bike for a solo ride through the District on a beautiful, fall afternoon.

SET LIST
"Everybody Laughs"
"Don't Be Like That"
"(Nothing But) Flowers"
"Life During Wartime"

MUSICIANS
David Byrne: vocals, guitar
Mauro Refosco: percussion, music director
Ray Suen: guitar, bass, violin, music director
Kely Pinheiro: bass, cello
Daniel Mintseris: keys
Stephane San Juan: drums
Tim Keiper: percussion
Yuri Yamashita: percussion, marimba
Tendayi Kuumba: background vocals
Sasha Rivero: background vocals
Hannah Straney: background vocals
Sean Donovan: background vocals
Jordan Dobson: saxophone, background vocals

TRIBUTE TO KRAFTWERK BY RODOLPHE BURGER AND JULIEN PERRAUDEAU

Le guitariste Rodolphe Burger et le multi-instrumentiste Julien Perraudeau rendent hommage à Kraftwerk en réinterprétant l’intégralité de l’album Radio-Activity. Une performance du troisième type, donnée devant le public du festival C’est dans la vallée.

Rodolphe Burger incarne depuis plus de trente ans une carrière aussi éclectique qu’audacieuse. Guitariste, chanteur et infatigable créateur, il a bâti une œuvre prolifique à travers sa discographie, son label Dernière Bande et la Compagnie Rodolphe Burger, multipliant les collaborations avec des artistes de tous horizons.

Multi-instrumentiste et ingénieur du son formé au CNSM, Julien Perraudeau a cofondé le groupe Diving With Andy avant de devenir un collaborateur recherché, aux côtés d’artistes comme Rodolphe Burger, Jacques Higelin ou Erik Truffaz. À l’aise sur scène comme en studio, il navigue entre pop, rock et musiques expérimentales.

Ensemble, Rodolphe Burger et Julien Perraudeau s’attaquent à un mythe : Radio-Activity de Kraftwerk. Sorti en 1975, cet album marque un tournant dans la grande Histoire de la musique par son utilisation de sons synthétiques et son esthétique futuriste. Des titres comme Autobahn ou Radioactivity ont ainsi fait de Radio-Activity une œuvre fondatrice, influençant des générations d’artistes.

Filmé le 9 octobre au festival C’est dans la vallée, Sainte Marie aux Mines.

Leia mais em @arteconcert and More at www.arte.tv

KRAFTWERK - MITTERNACHT (THE 3D-CATALOGUE)

Music and video data is owned by Kraftwerk.

@KeyloMPhi

POR QUE O MUNDO MODERNO EXALTA A ESTUPIDEZ - A MORTE DA SABEDORIA

Vivemos tempos em que tudo é imagem, tudo é performance, tudo é venda. Influenciadores sem conteúdo, distrações vazias, ostentações banais — e por trás disso, um sistema que se alimenta da superficialidade. Neste vídeo, mergulhamos numa análise crítica e profunda sobre o impacto da cultura do espetáculo, da distração em massa e do colapso dos símbolos que davam sentido à vida.

🤯 Por que tantas pessoas inteligentes se perdem em conteúdos rasos?
📱 O que as redes sociais estão fazendo com nossa atenção e com nossa liberdade?
💡 Como resgatar o que realmente tem valor num mundo que só premia o que brilha?

Inspirado por pensadores como Guy Debord, Zygmunt Bauman, Hannah Arendt e Nietzsche, este vídeo é um convite à reflexão, à resistência e à reconexão com a essência.

Se o mundo ficou raso, pensar virou um ato de coragem.


📚 . Sociedade do Espetáculo / Imagem / Simulacro
Guy Debord – A Sociedade do Espetáculo (1967)

Obra central para entender a crítica à transformação da realidade em representação e espetáculo.

Citação direta no seu texto: “A era moderna é a era da publicidade. Quanto mais você se mostra, mais você vale.”

Jean Baudrillard – Simulacros e Simulação (1981)

Explora como os signos e imagens substituíram a realidade; vivemos em uma era de "hiper-realidade".

🌊 2. Modernidade Líquida / Crise de Sentido
Zygmunt Bauman – Modernidade Líquida (2000)

A ideia de que as estruturas sólidas da sociedade (religião, política, identidade) se tornaram instáveis e fluídas.

Fundamenta a ideia de vazio simbólico, precarização das relações e consumismo como modo de ser.

Música de Fundo: Spirit of Fire - Jesse Gallagher

More at @A Psique

THESE SURREAL SCENES WILL BLOW YOUR MIND!

More at @RUXContent.

TITLE: GEORGE MICHAEL - MISS SARAJEVO

Is there a time for keeping a distance
A time to turn your eyes away
Is there a time for keeping your head down
For getting on with your day

Is there a time for Kohl and lipstick
A time for cutting hair
Is there a time for high street shopping
To find the right dress to wear


Here she comes
Heads turn around
Here she comes
To take her crown

Is there a time to walk for cover
A time for kiss and tell
Is there a time for different colors
Different names you find it hard to spell

Is there a time for first communion
A time for east 17
Is there a time to turn the mecca
Is there a time to be a beauty queen

Here she comes
Beauty plays the crown
Here she comes
Surreal in her crown

Is there a time for tying ribbons
A time for Christmas trees
Is there a time for laying tables
When the night is set to freeze

Composers: Adam Clayton / Brian Peter George Eno / David Evans / Laurence Mullen / Paul David Hewson

MUSIC NON STOP FLASH ANIMATION.

Do antigo fan site do Kraftwerk. Feito em flash com poucos recursos e muito trabalho.

FUTURES OF THE PAST - CHROMATIC HALLOWEEN - 1950S SCI-FI - AI MICROFILM

Veja mais em @youtube.com

KRAFTWERK - AUTOBAHN (THE 3D-CATALOGUE)

Autobahn
Autobahn
Autobahn
Autobahn
Autobahn

Wir fahr'n, fahr'n, fahr'n auf der Autobahn
Wir fahr'n, fahr'n, fahr'n auf der Autobahn
Vor uns liegt ein weites Tal
Die Sonne scheint mit Glitzerstrahl

Wir fahr'n, fahr'n, fahr'n auf der Autobahn
Wir fahr'n, fahr'n, fahr'n auf der Autobahn
Die Fahrbahn ist ein graues Band
Weiße Streifen grüne Rand

Autobahn

Wir fahr'n, fahr'n, fahr'n auf der Autobahn
Wir fahr'n, fahr'n, fahr'n auf der Autobahn
Jetzt schalten wir das Radio an
Aus dem Lautsprecher klingt es dann

Wir fahr'n, fahr'n, fahr'n auf der Autobahn
Wir fahr'n, fahr'n, fahr'n auf der Autobahn
Wir fahr'n, fahr'n, fahr'n auf der Autobahn
Wir fahr'n, fahr'n, fahr'n auf der Autobahn
Wir fahr'n auf der Autobahn
Wir fahr'n, fahr'n, fahr'n auf der Autobahn
Wir fahr'n, fahr'n, fahr'n auf der Autobahn
Wir fahr'n, fahr'n, fahr'n auf der Autobahn
Wir fahr'n, fahr'n, fahr'n auf der Autobahn
Fahr'n auf der Autobahn

Fahr'n auf der Autobahn
Fahr'n auf der Autobahn
Fahr'n auf der Autobahn
Fahr'n, fahr'n, fahr'n auf der Autobahn

Fahr'n auf der Autobahn
Fahr'n auf der Autobahn

Wir fahr'n auf der Autobahn (Autobahn)
Wir fahr'n auf der Autobahn (Autobahn)
Wir fahr'n, fahr'n, fahr'n auf der Autobahn (Autobahn)
Wir fahr'n, fahr'n, fahr'n auf der Autobahn (Autobahn)

Composers: Emil Schult, Ralf Hutter & Florian Schneider

© Kling Klang Musik GMBH

Music and video data is owned by Kraftwerk.

@KeyloMPhi

BLADE RUNNER | NOCTURNAL PARADOX | AMBIENT SOUND/VISUAL PERFECT FOR WORK STUDY & RELAXATION- 8 HOURS

Welcome to an immersive journey through another Blade Runner-inspired ambient video. Step into the cybernetic dreamscape where neon-lit horizons stretch endlessly, and shadows dance to the rhythm of a perfectly blended FILTER music score.

Leia mais em @Officialfilter e @StrangeWorldsAmbience

TWENTY YEARS OF CREATIVE COMMONS (IN SIXTY SECONDS)

“Twenty Years of Creative Commons (in Sixty Seconds)” by Ryan Junell and Glenn Otis Brown for Creative Commons is licensed via CC BY 4.0 and includes adaptations of many open and public domain works. See the same video shared on Flickr for a complete list of attributions.

RACER BY GIORGIO MORODER

Leia mais em @www.giorgiomoroder.com